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News
Circles of a Changing City
1+ hour, 4+ min ago (345+ words) Writing Art History Since 2002 Suzette Bell-Roberts: ‘The Dark Wood’ draws on Dante’s Inferno, yet the exhibition never settles into a straightforward literary adaptation. What drew you to Dante as a framework for thinking about the contemporary city, and where did…...
When Objects Look Back
1+ hour, 28+ min ago (298+ words) Writing Art History Since 2002 Brendon Bell-Roberts: ‘Sabala Kotoku and Other Structures’ traces a journey across Kumasi, Copenhagen, Clermont-Ferrand, Karlsruhe, and Ettlingen. Rather than treating these locations as fixed points, the exhibition suggests a “third locality” shaped by materials and encounters....
Karyn Olivier: The Weight of What Remains
6+ day, 23+ hour ago (351+ words) Writing Art History Since 2002 Brendon Bell-Roberts: The title ‘Bend, Break, Mend’ suggests rupture and repair. How do you see these actions as interconnected in your practice, especially in relation to unresolved histories? Throughout your work, you have spoken about “amplified…...
Curating the Seen and the Unseen
1+ week, 23+ min ago (670+ words) Writing Art History Since 2002 Brendon Bell-Roberts: ‘Coming Forth By Day’ brings together Haitian cosmology, African spiritual traditions, and everyday domestic objects in a deeply immersive environment. How did you curate an exhibition that invites viewers to experience these references sensorially…...
Where the Body Lingers: The Poetry of Ordinary Things
2+ week, 23+ hour ago (591+ words) Writing Art History Since 2002 Suzette Bell-Roberts: ‘Body Quotidian’ brings your practices into conversation through shared concerns with metaphor, materiality and the human body, despite your distinct visual languages. How did this dialogue unfold, and what did you discover about your…...
Streets as Archives Second Edition Invites African Photographers to Reframe the Built Environment
3+ week, 22+ hour ago (73+ words) Writing Art History Since 2002 Submissions will be reviewed for the strength of their visual storytelling, originality, relevance to the exhibition theme, and their ability to present African urban environments as sites of memory, history, and contemporary change. The submission deadline…...
Reclaiming Turandot from the Western Imagination.
3+ week, 1+ day ago (365+ words) Writing Art History Since 2002 Suzette Bell-Roberts: ‘TURANDOT: To the Daughters of the East’ reclaims a figure reinterpreted through Western literary and operatic traditions. Why revisit the tale’s Persian and Central Asian origins, and how does the exhibition challenge narratives about…...
Apply for the 2Roads Foundation’s Gallery on the Greens Residency in the Vaal.
3+ week, 6+ day ago (236+ words) Writing Art History Since 2002 The 2Roads Foundation is the nonprofit arm of the 2Roads Group, established to support initiatives across entrepreneurship, education, the arts, and sport. Through the Gallery on the Greens Residency, the Foundation aims to nurture the next generation of…...
Scattered Memories, Shared Futures
1+ mon, 2+ week ago (274+ words) Writing Art History Since 2002 Suzette Bell-Roberts: ‘Scattered Memories’ unfolds across multiple cities before arriving in Berlin. How did the idea of an itinerant exhibition emerge, and in what ways does movement itself become part of the project’s conceptual language around…...
Sony World Photography Awards 2027 Opens Global Call for Entries - ART AFRICA Magazine
2+ mon, 1+ week ago (35+ words) Sony World Photography Awards 2027 Opens Global Call for Entries ART AFRICA Magazine Writing Art History Since 2002 - Professional Competition for bodies of work presented as a series Submission deadlines vary according to competition category:...